Sometimes I see a book and feel the need to read it immediately, regardless of prior plans. This is one of those and, additionally, one that I’d heard quite a good deal about before picking it up, all good. Plus, just look at that cover art, I’ve been let down by covers before, but that promises something delightfully wrong. Anyway, here’s T. Kingfisher’s What Moves the Dead. Enjoy!
After receiving a letter from their childhood friend, Lieutenant Alex Easton rushes to Ruravia and the crumbling manor where the Usher family has long lived. Madeline Usher is ill, dying in fact, and Alex is determined to be there for her here at the end. But the countryside around the Usher home is strange in any number of ways. Hares that move like poorly handled puppets and a lake that seems to wake in the night to glow brightly. Not to mention Madeline’s sleepwalking or the strange voice she speaks in on her nightly jaunts. There is something wrong with the House of Usher, something all too ready to devour the people under its roof.
Kingfisher’s What Moves the Dead is a book that drips with atmosphere, oppressive moldering atmosphere. I finished reading this novella and my scalp itched. It is beautifully done and beautifully balanced with Alex’s narration. There is a layer of almost casual flippancy to some of their asides, off topics about people they have met in the past that situations remind them of, observations that help cut some of the tension.
Alex really is an excellent protagonist here, striking a balance between being the sort of steady reasonably person who realizes that something desperately wrong is going on and then goes looking for evidence of what it could be, but who is also going to look at an impossible situation and do everything they can to rationalize it. They are called to the Usher’s manor and grasp at any chance they can think of to try and help, even if it means making themselves seem foolish or less competent. They carry the narrative with humor and a certain awareness of how ridiculous some parts of the book might be, but that same humor is a big part of what allows the seriousness of the horror to sink in. It plays their past as a soldier against the strangeness of asking a hare if it is a witch after hearing about a local superstition.
Add to that, Kingfisher has crafted a fantastic cast of secondary characters as well. Each of them brings a particular flavor to the narrative while almost seamlessly moving the plot. Eugenia Potter, the unshakeable English mycologist, was probably my favorite just because of how unflappable she was in the face of strange fungi and seemingly impossible happenings. That said the grouchy old soldier, Alex’s batman Angus, and the American surgeon that Roderick called in to see to Madeline, Denton, are also excellent characters. Angus brings local rumors and a willingness to treat Alex like the young soldier they once were that pushes them to investigate odd details, like the hares’ strange behavior or details about the local fish. Denton, in the meantime, is another friend of Roderick’s and knows a bit more about the state of Madeline’s health and Roderick’s anxiousness. There are also some deliciously disturbing moments related to Madeline and her sleepwalking, just the best use of things feeling wrong.
The horror here is in the details and how they build on themselves. We are told the hares act strangely well before Alex sees it happen and then they only become more wrong with each repeat appearance. The way Madeline’s condition starts at a level of shockingly withered and then blooms from there with each new detail we learn about it from catatonia to the voice she speaks in while sleepwalking, the way it seems to ebb at times allowing brief glimpses of what she might have been like healthy. It feels like a familiar horror, like someone fading before their time because something has gone wrong with their mind, too familiar and worryingly real to automatically jump to something supernatural but haunting all the same.
The way Kingfisher uses words to set and maintain a mood really does make me a touch jealous. The atmosphere, the build and release of tension, the character work, it is all really good in a way that I did not know I wanted more of from the horror I read until I picked up What Moves the Dead. I finished the book and found myself a little irrationally worried about the sort of mold old apartment buildings tend to have a build up of, that unplaceable itch that just will not fade. I am more than looking forward to digging up more of Kingfisher’s writing in the future. What Moves the Dead earns a five out of five.